Showing posts with label The Complete Musician Student Workbook An Integrated Approach to Tonal Theory Analysis and Listening Volume II. Show all posts
Showing posts with label The Complete Musician Student Workbook An Integrated Approach to Tonal Theory Analysis and Listening Volume II. Show all posts

Saturday, September 11, 2010

Where To Buy The Complete Musician Student Workbook: An Integrated Approach to Tonal Theory, Analysis, and Listening Volume II


Over All Rating Reviews :
What can I say, it's just the first theory book I've had that really put everything in context for me. I used Kostka and Payne when I was in college and honestly that was terrible. All the examples were keyboard examples and as a non-keyboard player I just could not relate to anything that was happening. There were also simply too many details without a conceptual framework in that book. The Complete Musician is a very comprehensive, detailed and intelligent book with relevant, familiar examples across the repertoire and exercises that help to relate it all back to your own experience. I am about half-way through it now (revising for entering grad school in the fall) and having more fun with it than I would have imagined possible a few months ago. I really wish we had this in college instead.
Get more detail about The Complete Musician Student Workbook: An Integrated Approach to Tonal Theory, Analysis, and Listening Volume II.


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Sunday, August 22, 2010

Buying The Complete Musician Student Workbook: An Integrated Approach to Tonal Theory, Analysis, and Listening Volume II


Over All Rating Reviews :
This book is best for those who have already taken a full course in tonal harmony and understand it well from a functional perspective but want to understand it better from a linear perspective.

It is a very complete course in common practice tonal harmony. It is in many ways an updated successor to Aldwell & Schachter in that it pays attention to every minute detail of voice leading and part-writing. Varieties of V-I take over 100 pages alone. For those interesting in mastering the common practice writing style, this is much better than, for example Benward or Piston, which focus more on the functional aspects of harmony, but neglect the linear. If you have this, W. A. Mathieu's Harmonic Experience, Bert Ligon's Jazz Theory text, and Ludmila Udmela's text on contemporary harmony you have 90% of what you need to know about tonal harmony.

Who is this book not for? It is not for those interested in learning harmony in Jazz, Pop, or 20th century styles. Also, the title "Complete Musician" is a misonomer. It is only common-practice harmony.

This book requires a solid foundation of the basics of music theory to absorb--I can imagine it being very confusing if used for unprepared college freshmen, because it doesn't spend much time on fundamentals.
Get more detail about The Complete Musician Student Workbook: An Integrated Approach to Tonal Theory, Analysis, and Listening Volume II.


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