Over All Rating Reviews :
The book spans the field of music from Verdi to Woody Guthrie. Each entry (there are sixteen in total) contains one picture and one description of the artist's life. These descriptions, as described by the author herself, "are offered now as a way of getting closer to the musicians - and the music". Every quirk and interesting tidbit is laid before the reader in the most wonderfully entrancing ways. Did you know that Bach once got into a knife fight in the streets? Or that Sir William Gilbert owned a bee named Buzfuz? It might be interesting to collect such fun but otherwise meaningless tidbits about composers' sometimes sordid lives, but Krull goes a step further. Facts included in each life explore the necessary details of their birth and death dates, how they were introduced to music, their lives, etc. Each section is also followed by information about their best-known works. What I liked about this book, however, was that the author did not choose to linger over their individual creations. A kid reading this book is not going to want to hear a long drawn out account of exactly why Chopin chose to write his Funeral March the way he did. You can find this information in a standard biography of Chopin's works. No, this is a book gives children the chance to acknowledge that all those hoity-toity names they've been forced to digest in elementary school music classes actually had interesting and sometimes wacky lives. Plus, the author is kind enough to include a section of musical terms, an index of composers, and a list meant, "For Further Reading ... And Listening", for those kids who wish to know more about these fascinating heroes of music.
Krull's method of writing is particularly adept when conveying irony. In her section devoted to Erik Satie (a perfect choice for this book, if ever there was one) she describes the composer's reaction to his own poverty.
"He once remarked, `It's odd. You find people in every bar willing to offer you a drink. No one ever dreams of presenting you with a sandwich'".
The next line then states off-handedly, "He died of cirrhosis of the liver at age fifty-nine". Kids may not get the joke, but I for one whole-heartedly approve of the author's choice to mention that fact after such a statement.
Because the book only contains sixteen composers, you can't help but wonder what the author's method of selection was. These composers certainly define the canon of Western music, with two women, an African-American, and a man of Jewish decent serving to bring a little diversity to the list. But why include Charles Ives and not Claude Debussy? Why Stravinsky and not Wagner? The only reasons I can find for some choices would be because some composers lived far more interesting lives than others. Certainly the range of oddities Krull has collected is fascinating.
This book is probably best for slightly older children. Krull is an honest biographer and does not skirt around the fact that Chopin and George Sand never married, or that Tchaikovsky was undoubtedly a homosexual. She does not fudge facts to make them more interesting or record hearsay and rumor (though she is prone to mentioning "legends", like that concerning Beethoven's death). All in all, you will not find a better or more entrancing way of introducing kids to the classical composers. And for those of you that wouldn't be able to tell Prokofiev from Stravinsky if you bumped into him in the street, let me recommend that you take a gander at this puppy as well. It's a heck of a lot of fun, and a hoot to boot.
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