Stories Behind Three Musicians Picasso

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Three Musicians Picasso in 1921 was training in the form of flat and two-dimensionality.Three Musicians show the principles and characteristics were observed from Synthetic Cubism.

In contrast to analytic Cubism was developed between 1908 and 1912 by Picasso and Georges Braque, Synthetic Cubism, who arrived at through a process of intellectual development and not break the forms found in the real world, such as cylinder, sphere, and cone. Synthetic Cubism wasmore decorative and the nature of the experiment in Analytic Cubism.

In this picture plane flat and there is no shading techniques commonly used for an intimate and realistic depth of field and expect to jump into a collage artist: the peak or a permutation of the most extreme of Synthetic Cubism.

In connection with the subject mater, Picasso Three Musicians recall a past era diidealkan bit of bohemian life. Here, Picasso by masquerading as a central figure ofHarlequin, flanked by Apollinaire Guilliame recently died, and old friend Max Jacob.

Furthermore, Harlequin, it is important to note, is back standing on the artists themselves. A stock character of Italian comedy travel group known as the Commedia dell'arte, which absorbed Harlequin lower class connotations and is very much a symbol of status-the artist out of the players.

Great people out, of course, have a strong attraction to Picasso andrepeatedly describes himself with a photo-identification. By coordinating its identity with the Commedia dell'arte figures, Picasso strict attention to the isolated existence as an artist.

substitution of Harlequin Picasso for himself is a technique first used between 1901 and 1905 during his Rose period. As a result, three musicians is a painting that points to the past.

Reintegration of the paintings of Picasso Harlequin may indicateartists to reconsider the artistic and social identity. Still the rise of Harlequin is also easier, formal implications. costumes signature figure on a colorful, highly patterned fabrics could be a reason for Picasso to experiment more with geometric designs and flat surfaces.

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